꿈에

같은 제목 다른 노래/꿈에

#조덕배/꿈에
#박정현/꿈에
#그대 내맘에 들어오면은

■ 조덕배/꿈에

조덕배/꿈에

□ 가사

#조덕배 작사ㆍ작곡

꿈에 어제꿈에 보았던 이름모를 너를 나는 못잊어
본 적도 없고 이름도 모르는 지난 꿈 스쳐간 여인이여
이밤에 곰곰히 생각해보니 어디선가 본듯한 바로 그 모습
떠오르는 모습 잊었었던 사랑
어느해 만났던 여인이여 어느 가을 만났던 사랑이여
난 눈을 뜨면 꿈에서 깰까봐 난 눈 못뜨고 그대를 보네
물거품처럼 깨져버린 내꿈이여 오늘밤에 그대여 와요
난 눈을 뜨면 사라지는 사람이여 나 눈 못뜨고 그대를 또 보네
물거품처럼 깨져버린 내꿈이여 오늘밤에 그대여 와요

■ 박정현/꿈에

MV (출저 https://youtube.com/@newtenter)

□ 가사

#정석원 작사ㆍ작곡

어떤 말을 해야 하는지 난 너무 가슴이 떨려서
우리 옛날 그대로의 모습으로 만나고 있네요
이건 꿈인 걸 알지만 지금 이대로 깨지 않고서
영원히 잠 잘 수 있다면
날 안아주네요 예전 모습처럼
그동안 힘들었지 나를 보며 위로하네요
내 손을 잡네요 지친 맘 쉬라며
지금도 그대 손이 그때처럼 따뜻하네요
혹시 이게 꿈이란 걸 그대가 알게 하진 않을 거야
내가 정말 잘할 거야 그대 다른 생각 못하도록
그대 이젠 가지 마요 그냥 여기서 나와 있어줘요
나도 깨지 않을게요 이젠 보내지 않을 거예요
계속 나를 안아 주세요 예전 모습처럼
그동안 힘들었지 나를 보며 위로하네요
내 손을 잡네요 지친 맘 이젠 쉬라며
지금도 그대 손은 그때처럼 따뜻하네요
대답해줘요 그대도 나를 나만큼 그리워했다고
바보같이 즐거워만 하는 날 보며 (날 보며)
안쓰러운 미소로 (슬픈 미소로)
이제 나 먼저 갈게 미안한 듯 얘기하네요
나처럼 그대도 (그대도) 알고 있었군요 (꿈이라는걸)
그래도 고마워요 이렇게라도 만나줘서
날 안아주네요 (주네요) 작별 인사라며 (잘 있으라며)
나 웃어줄게요 (줄게요)
이렇게 (이렇게) 보내긴 싫은데
뒤돌아 서네요 다시 그때처럼
나 잠 깨고 나면 (잠 깨면) 또다시 (또다시) 혼자 있겠네요
저 멀리 가네요 이젠 익숙하죠
나 이제 울게요 또다시 보내기 싫은데
보이지 않아요 이제 다시 눈을 떴는데
가슴이 많이 시리네요 고마워요 사랑해요
난 괜찮아요 다신 오지 말아요

■ 조덕배/그대 내맘에 들어오면은

조덕배/그대 내맘에 들어오면은

□ 가사

#작사ㆍ작곡 조덕배
다가가면 뒤돌아 뛰어가고
쳐다보면 하늘만 바라 보고
내맘을 모르는지
알면서 그러는지
시간만 자꾸 자꾸 흘러가네
스쳐가듯 내곁을 지나가도
돌아서서 모른척 하려해도
내 마음에 강물처럼
흘러가는 그대는 무지갠가
뛰어 갈텐데 훨훨 날아 갈텐데
그대 내맘에 들어 오면은
아이처럼 뛰어가지 않아도
나비따라 떠나가지 않아도
그렇게 오래오래
그대곁에 남아서
강물처럼 그대 곁에 흐르리
뛰어 갈텐데 날아 갈텐데
그대 내맘에 들어 오면은

뛰어 갈텐데 날아 갈텐데
그대 내맘에 들어 오면은
아이처럼 뛰어가지 않아도
나비따라 떠나가지 않아도
그렇게 오래오래
그대곁에 남아서
강물처럼 그대 곁에 흐르리
뛰어 갈텐데 훨훨 날아 갈텐데
그대 내맘에 들어 오면은
뛰어 갈텐데 날아 갈텐데
그대 내맘에 들어 오면은
뛰어 갈텐데 날아 갈텐데
그대 내맘에 들어 오면은

□ About Lena Park

Korean-American singer-songwriter working in South Korea.

It has been steadily active for a long time until now, when it appeared in the music industry like a comet in the late 1990s and became the best. Although he mainly uses pop ballads and R&B genres as weapons, he has strengths in various fields such as folk, modern rock, jazz, and synth pop, and is still pursuing various and young music that fits the latest trend more than 25 years after his debut.

Singing ability
Park Jung-hyun's singing is praised as the main level among female vocalists in Korea because it is based on beautiful and clean tones, explosive singing skills, excellent skills, and unique feel that others cannot follow. Since his debut, he has been attracting attention for his wide range of notes, technique, and vibration, and his unique high soprano voice, which freely crosses his true voice and falsetto, and he falls into ecstasy. The so-called "person born to be a singer" is a suitable person. There is also an anecdote that he unintentionally put Lim Chang-jung in despair with his singing ability.

However, he is a singer who has many likes and dislikes due to his unique technique and tone. Some say that although he has excellent singing ability, his Korean pronunciation is somewhat unnatural because he is a Korean-American, and his emotional line is subtly different from that of ordinary pop singers, so it is not suitable for people like Lee So-ra. However, she, who showed her brilliant vocals, also began to lose strength from the single "Dangerous Story" and went to her seventh album to show her plain vocals in most of the songs. Park Jung-hyun deserves praise for his various attempts without falling into mannerism, and her representative songs are mainly songs that require explosive high notes, skills, and volume, but if you listen to the songs in the album or recently released songs, you can see that Park Jung-hyun does not only those songs.

Of course, this is more so than Park Jung-hyun's other songs, but it is very difficult to call it a light or relaxed song from a general point of view. Perhaps that's why most of the songs are so difficult that it's hard for most people to even sing along. Yoon Jong-shin evaluates, "Vocalists who make it difficult for listeners." However, they never miss out when selecting Korea's best female vocalists, and they boast their unrivaled singing skills to the point that few singers of similar age range have competitors.

Meanwhile, Park Jung-hyun's voice will change around the fourth album [108], and there was a rumor that it was a vocal cord nodule, but it was not true at all, and his voice naturally matured. In the early 2000s, Park Jung-hyun was so busy that he had never rested from music activities for more than a year, and he held concerts every year, so 2004 was the only year he was busy studying at the same time. If vocal cord nodules had come, they would not have been able to work for at least two years. Basically, it is still a very high tone, but the soft sound like a lark became a little more rich and heavy, and made a very attractive low tone that was never before. After a slight transition from the fourth album, the voice has completely changed from the fifth album, making almost the same sound to date. There is a preference among fans for which voice is better, and there are many people who prefer the voice now that it has matured.

By the way, the hand gesture when singing is very big. This unique and brilliant hand gesture can be said to be Park Jung-hyun's patent. These days, it's a lot more gradual, but if you look at the live stages before the 2000s, you can see your hands soar into the sky and then fall to your toes, and your body moves together. It's a part that's usually used when impersonating Park Jung Hyun. According to himself, it is said to draw notes with hand gestures, which helps a lot to get the notes right. He is also right-handed, but he has the characteristic of holding the microphone with his left hand when singing.

vocal range
She is a singer with a very wide range of notes. The true vocal range ranges from 0 octave hour or 1 octave do# to 3 octaves or 4 octaves, and the falsetto range ranges from 4 octave par#. In addition, there is no middle note between them.

Compared to the time of debut, the range itself moved to a slightly lower pitch, and the expression of the lower pitch itself became very deep. Compared to the barely reduced falsetto, the low voice is very thick, so the range of the available range is rather wider. She also seeks to create sensibility for her age rather than dressing up with high notes, which appears in the POSTECH lecture video introduced in higher documents, but the reason why P.SI Love You, which is famous for its high notes, is very low is to release the hearts of the speakers of her current age.

Park Jung-hyun sings countless times every year with at least one national tour concert, music program, and numerous events without a gap, but he still uses more than four octaves of notes on the live stage more than 20 years later and sings songs of painful difficulty in the late three octaves, such as "In Dreams." Most singers can't sing songs from their youth decades after their debut, and in fact, it's not a problem for singers, but it's a matter of course due to natural aging, so it's a great part of her. In other words, his skills have not rusted at all, and at the same time, it is the result of tremendous self-management.

As such, the supporting range is very wide, and Park Jung-hyun can contact the vocal cords from 1 octave (D3)/Mib (Eb3) to 3 octave (D5)/Mib (Eb5).

Tune and technique
She is also one of the few singers who can use almost any vocalization freely. A true all-round and complete form. The chest voice in the low-pitched range boasts a very deep and rich voice, and it is also good at vocalizing high notes in the middle to high-pitched range and high notes using mixed voices. I prefer the former, which is thicker and emphasized in volume, but if you listen to the Japanese version of <Don't Do It> or the highlight of <I hope it is now> the latter is also used well in the right place. In particular, in the case of genuine high notes, the ratio of chest voice can be very high and it can be raised to 3 octaves, so there are few people to follow when it comes to strong and soft high notes. It can move back and forth between the original voice and the falsetto, and the falsetto in the low voice range can be quite smooth, and the vocalization can be switched from the high-pitched range to the falsetto and go up again. Before his 20s, he used to use a whistle. Since the vocalization is strong, dynamic expression is possible, so in a way, it's natural and amazing.

Although he is a musician whose main weapon is ballad, he often uses scratch, one of the rock singing methods. As will be described later, he liked rock and thought of his thin voice as a complex, so the purpose was to supplement this. I usually use a combination of R&B's unique ad-lib and scratch. As his true voice grows stronger as he gets older, the scratch seems to be used more naturally than in his heyday by strengthening the piercing tone in high notes. However, there have been likes and dislikes for the scratch singing method from a long time ago. It is often called the "Crow's Sound," and it has been publicized in "Eve's Warning," which I sang in "Singer Da." However, there is a misunderstanding about this scratch singing method, and it may sound as if you are using music or out of tune when you listen to it on the air, but it doesn't sound like that at all because of the resonance. This is further described in the following table of contents.

Even if you exclude all of these musicians' capabilities and individual tastes, if the criteria for evaluation are limited to "techniques as female vocalists," it can be considered one of the best in history. The beat and pitch are also sharp, and the groove is the best. In particular, the sharpness of pitch is the best in Korea in name and reality, and it is one of the parts that people in the same industry praise. According to Postino, the composer of the synchro fusion single "Double Kiss," the pitch was so accurate that he put it in with almost no touching parts during vocal mixing. In addition, it has the characteristic of singing like staccato one by one in the ad-lib part, and in fact, it may sound very unpleasant to hear and the pitch may be unstable, but it is sung while maintaining the pitch perfectly. Many impersonators copy Park Jung-hyun's impersonations, but most of them only make ridiculous points and often fail to imitate them.

Volume and tone of voice
Her singing skills are excellent, but what's more amazing is that she has a smooth, low, high-pitched voice that runs without a note in the middle, and a huge voice like a loudspeaker on her vocal cords. People who visit her concert praise her to the point of drooling. The voice is so loud that the audience is overwhelmed by the thrill and feeling of the concert hall being full when performing live. Park Jung-hyun's testimony that live performances are even better than CDs. He is 150 centimeters tall on his official profile. They say it's amazing where that huge voice comes from in that small height and body size. So, in the audience's (especially the first time coming) performance reviews, the usual comment is "explosive singing ability from a small body." This comment is also very often used as an introduction in entertainment programs.

Her voice itself as well as her monstrous voice is one of the very pretty singers, not to mention her 20s, and she still maintains her clear and childlike voice like a lark even now when she is over 40 years old. The tone of the song is also beautiful because the singing voice and the speaking voice are the same. Even in YouTube reaction videos that occasionally come up, foreigners who don't know her often say, "It's a voice that seems to fit very well with Disney animation OST." This kind of evaluation is not empty-handed, and she once sang the Korean version OST of the animation Mulan at the beginning of her debut. People who first encountered the singer Park Jung-hyun also felt this. She often sings her favorite Disney animation OST "Little Mermaid" on various broadcasting media, which is perfect for her pure and refreshing voice tone. Let's hear it for ourselves. In 2019, John Park and John Park sang the Korean version of the Aladdin OST "Whole New World" again, becoming a singer who was selected twice for Disney OSTs in Korea.

Park Jung-hyun's tone is beautiful, but it is also so unique that it is difficult to find a similar tone in Korea. The nickname "Korea's Celine Dion" was also influenced by this. For this reason, the producer of JTBC's entertainment program Hidden Singer, which distinguishes impersonators from real singers, admitted that Park Jung-hyun's episode was a complete failure. In fact, the participants only copied Park Jung-hyun's singing style, and it was too easy to distinguish because no one could imitate his unique tone. In particular, her head voice tone is characterized by its silky soft yet sharp and loudness, especially in these songs #. Ironically, this is the most damaging type in broadcasting sound sources, because singers with a rich voice, strong unique tone, and thick sound lines are cut off from broadcasting sound sources and only strong tones remain emphasized, so their singing ability is considerably degraded. Her favorite scratch singing method sounds like she's using music when she hears it on TV, which is also due to the limitations of broadcasting sound sources. If you can't afford to go to the concert, compare the high-quality fan cam and the broadcast sound source with the unique voice volume, such as "Mia" above. You can tell at once. In the case of sound sources recorded properly in the studio, it is good to listen to by gently and well utilizing Park Jung-hyun's beautiful voice while properly utilizing the grand volume compared to the broadcast sound source. However, studio music tends to record calmly compared to live. Songs such as "Eve's Warning," which were divided into likes and dislikes due to the use of scratches on the live stage, are recorded in a very soft and soft voice in the studio sound source.

Expressiveness
It can be said that Park Jung-hyun's true strength comes not only from high notes, but also from her own speed control and expression.

Sometimes there are critics who only care about high notes and ad-libs, and that's what they say without knowing anything about her. The high proportion of high-pitched and ad-lib is also in the early days, and if you look at live and broadcast videos, you can see that high-pitched and ad-lib are only incidental means for expression, and they focus much more on the expression of the lyrics. Let's watch Anne's live video above. You will be able to feel that you are automatically immersed in the lyrics. In addition, in the second video's "Rain" live, the song, which can be a simple repetition of a melody, was impressively expressed. Even if you listen to the 1st to 3rd albums where Korean was awkward, it is hard to find the awkwardness of the emotional line to the point where you wonder if it was sung by a foreigner who is really not good at Korean.

Park Jung-hyun himself has also said several times about his singing philosophy, "Understand the content of the lyrics and become the speaker of the lyrics as much as possible and sing." In particular, if you listen to songs such as the four major mad songs to be mentioned below, you can see the true value of Park Jung-hyun's emotional expression. Although Korean is actually her second language, it is a tremendous talent and a result of her efforts to show off her skills that surpass native speakers in the emotional expression of Korean lyrics.

One Fine Day December 15, 2020, featured a reference to Spring, Summer, Fall and Winter's "People All Change," which he covered in God's Voice, saying his frivolous voice tone was too insufficient to express the sensibility of the original song, and that it would take at least five to 10 years to reinterpret the song. However, it is said that Kim Jong-jin, the original singer of Spring, Summer, Fall, and Winter, loved the cover. In fact, even if you look at that day's broadcast, you can find yourself reprimanding him for not being able to interpret it even though he received great reviews.[126] It can be seen that there are strict standards for expressing it beyond simply singing well.

Thanks to his merit as a graduate of UCLA's Department of Theater and Film, his facial expression acting is also overwhelming. It is even fun to observe his facial expressions when watching live performances.