봄봄봄

Spring, spring, spring.

로이킴/봄봄봄(원곡)

펀치/봄봄봄(멀리서보면 푸른봄OST)
로이킴/그때 헤어지면 돼

사진/로이킴

■ 펀치/봄봄봄(멀리서보면 푸른봄OST

영상/펀치/봄봄봄(멀리서보면 푸른봄OST

■ 로이킴/봄봄봄(원곡)

로이킴/봄봄봄(원곡)

□ 가사

#작사 : 로이킴
#작곡 : 로이킴, 배영경
#편곡 : 김성윤, 정지찬

봄 봄 봄 봄이 왔네요
우리가 처음 만났던
그때의 향기 그대로
그대가 앉아 있었던
그 벤치 옆에 나무도
아직도 남아있네요

살아가다 보면 잊혀질 거라 했지만
그 말을 하며 안될거란걸 알고 있었소

그대여 너를 처음 본 순간
나는 바로 알았지
그대여 나와 함께 해주오
이 봄이 가기 전에

다시 봄 봄 봄 봄이 왔네요
그대 없었던 내 가슴
시렸던 겨울을 지나
또 벚꽃 잎이 피어나듯이
다시 이 벤치에 앉아
추억을 그려 보네요

사랑하다 보면 무뎌질 때도 있지만
그 시간 마저 사랑이란 걸 이제 알았소

그대여 너를 처음 본 순간
나는 바로 알았지
그대여 나와 함께 해주오
이 봄이 가기 전에

우리 그만 참아요 이제
더 이상은 망설이지 마요
아팠던 날들은 이제
뒤로하고 말할 거에요

그대여 너를 처음 본 순간
나는 바로 알았지
그대여 나와 함께 해 주오
이 봄이 가기 전에

■ 로이킴/그때 헤어지면 돼

로이킴/그때 헤어지면 돼

□ 가사

#작사ㆍ작곡 로이킴

나를 사랑하는 법은 어렵지 않아요
지금 모습 그대로 나를 꼭 안아주세요
우리 나중에는 어떻게 될진 몰라도
정해지지 않아서 그게 나는 좋아요
남들이 뭐라는 게 뭐가 중요해요
서로가 없음 죽겠는데 뭐를 고민해요
우리 함께 더 사랑해도 되잖아요
네가 다른 사람이 좋아지면
내가 너 없는 게 익숙해지면
그때가 오면 그때가 되면
그때 헤어지면 돼
너를 사랑하는 법도 어렵지 않아요
한 번 더 웃어주고 조금 더 아껴주면
우리 사랑하는 법도 어렵지 않아요
매일 처음 만난 눈빛으로
서로를 바라봐 주면
남들이 뭐라는 게 뭐가 중요해요
서로가 없음 죽겠는데 뭐를 고민해요
우리 함께 더 사랑해도 되잖아요
네가 다른 사람이 좋아지면
내가 너 없는 게 익숙해지면
그때가 오면 그때가 되면 그때
그때 그때
네가 원하든 말든 널 잡을 거고
내가 더 이상 지쳐 걷지 못할 때
그때가 오면 그때가 되면
그때 헤어지면 돼
그때 헤어지면 돼

□ About Roy Kim

사진/로이킴

He debuted at the age of 20 in 2013 as the winner of Superstar K Season 4, and has been an artist who shows outstanding writing and composing skills for 20 years.After spending a year in the military, I am preparing for the 10th anniversary of my debut as of 2022.

Although he may be mistaken for a Korean-American because of his stage name, he is not a U.S. citizen, but a native Korean born and raised in Korea.

In the broadcast, he tried to appear as Kim Sang-woo, his real name, and actually introduced himself as Kim Sang-woo in the preliminary round, but he introduced himself as Roy Kim even though Mnet, which tried to make issues using his good looks and background of studying abroad, revealed his real name. Superstar K's production team found a video posted under the name Roy Kim on YouTube and broadcasted it as Roy Kim. Roy Kim himself introduced himself as 20-year-old Kim Sang-woo during the preliminary round, but at some point, due to Mnet's policy, he is now working under the stage name Roy Kim. Eventually, it became known by that name.

I was born in Korea, and I studied in Canada when I was in elementary school, and I returned to Korea and went to Whimoon Middle School and studied in the United States. After graduating from Asheville School in the United States, he passed Georgetown University in Washington, D.C., one of the most prestigious universities in the United States, but was delayed by one year after attending Superstar K.

At the beginning of his debut, he was often told that he looked old because of his unique presbyopia, but now he is rather young looking for his age.

Since the 2010s, mainstream vocal styles have been based on high and light sounds close to head voice, but Roy Kim uses sounds based on relatively low and heavy sounds close to neutral. For this reason, it gives a comfortable and cozy feeling when singing ballads, and a solid and heavy feeling when singing rock.

He is a singer with excellent physicality, and the physicality here is a tone that does not mean volume or range of voice. In other words, Roy Kim's ability to show great strength lies in maintaining his voice tone. In the case of high notes approaching the head voice, instead of increasing the vocal range, the tone becomes lighter, and Roy Kim has a vocalization that further maximizes his tone by sticking to his basic voice instead of the vocal range. Therefore, Roy Kim does not play an overwhelming high note, but it can be evaluated that he has excellent physicality in maintaining his solid sound despite the high pitch. For this reason, he is a singer who is difficult to follow just because ordinary people who just start singing follow him. It is difficult to imitate the tone in the high note, even if it is easy to make a high note, because it is difficult to maintain the tone with Roy Kim's physical, while in the case of the general public, if you try to copy it without the physical preparedness, it will strain your vocal cords.

In terms of singing ability, as Yoon Gun and Bae Chul-soo said, it can be said that it is underestimated than it actually is because of the background and appearance. Although it is undervalued due to Ulala Session's spectacular performance and the relatively low ratings of Superstar K, there is no reason to be insufficient compared to the previous winners because the colors are different.

There is one more strength that is not well revealed, which is stability. Looking at Roy Kim's previous performances, there are few ups and downs in his performance on stage. When TOP12 was selected, considering the participants' skills, many said that the difference between the top and bottom ranks was not so severe except for Jung Joon-young, so it was impossible to predict the candidates for the championship. Even if they were to pick the candidates for the championship, they often chose Yoo Seung-woo, Kim Jung-hwan, and Hong Dae-kwang, who received considerable attention during the preliminary round, and even Roy Kim expected more than the championship. However, for whatever reason, Yoo Seung-woo, Hong Dae-kwang, and Kim Jung-hwan showed relatively insufficient performance in the live show compared to the preliminary round, and Dick Fungs had to overcome the problem of vocalization or selection due to his splendid vocal skills. In contrast, Roy Kim has no stage to make mistakes or devalue in the finals. In fact, the biggest reason why Roy Kim won is that he played the stage more stably than other participants. In other words, the explosive power is less than that of others, so it may not be relatively strong, but on the contrary, it has the advantage of being able to show compliance without ups and downs due to its strength in stability.

In addition, Roy Kim's performance is generally evaluated as lacking in musical skills or falsetto, but most of the songs he performed are difficult to appeal to, regardless of the problems of technique or singing. In short, it sounds easy to sing, but these are difficult songs to sing.

Above all, regardless of the problems of technique or falsetto, it should be highly appreciated that Kim Kwang-seok, Lee Moon-se, and Yoon Gun, who have just become an adult, have performed the songs well enough to convince people. As even Lee Seung-cheol, who was always critical of Roy Kim, praised his excellent lyric delivery, his ability to use a solid tone of medium and low pitch, which is rare for his age, and his ability to use his voice in the right place, is an important virtue as a singer, and in this regard, Roy Kim is clearly an outstanding potential.

He is also known as a participant who showed the most remarkable growth during the finals. First of all, the ability to use high notes and falsetto shows that it has grown remarkably when comparing 'Naughty Boy' and 'Who is life for?' and has developed unrivaled among the Top 12 members in terms of ability to lead the overall flow of the song, delivery of lyrics, and ability to dominate and lead the stage. The first mission song was "I Love You Again". It is said that he closed his eyes the whole time because it was difficult to focus on the stage in the second mission song "Whistle," but the performance in "Naughty Boy" in the "Go Back" mission made him feel cheerful in contrast, and it is difficult to deny the degree of development. Along with the stability of playing any stage without ups and downs, it can be seen that this growth is the driving force behind Roy Kim's victory.

Some misunderstand that he chose only a safe stage and went to the finals comfortably because of Judge Yoon Mi-rae's evaluation of "Seoul's Moon," but Roy Kim is actually a participant who challenged the most diverse genre in the Superstar 4 live competition. It was widely recognized during the finals that he tried to play various genres such as ballads, hip-hop, dance, and folk rock, and actually achieved enough results to attract attention. At the same time, it is difficult to surpass the original song as an amateur audition participant, but it should be highly evaluated for its success in capturing a different charm from the original song.

It is true that Roy Kim was behind in terms of the impact of the stage compared to Huh Gak and Ulala sessions. Unlike Huh Gak and Ulala sessions, which had an overwhelming impact on the program, other participants as well as Roy Kim, the winner, do not seem to have had such a big impact, and even those who do not doubt Roy Kim's skills cannot easily answer the question. Perhaps because of this fact, he is relatively undervalued, but he is still a winner compared to other audition program winners, considering his ability and future development in the finals. In particular, it has been said that the winners of the later seasons are below the standard in terms of both topic and skills, and he is being reevaluated even more as he appeared on the "King of Mask Singer" and showed a great performance.

Even when he appeared on "King of Mask Singer," many people said they didn't know that Roy Kim sang like this, because there were quite a few arrangements to show his singing ability due to the nature of the competition program, but he usually relaxes and shows only acoustic genres of songs. The songs that you usually prefer are not genres that stand out in general.