네버엔딩 스토리

네버엔딩 스토리

Never Endibg Story
헤어졌던 이승철과 부활이 다시만나 대박 히트를 친 부활의 8집 앨범 타이틀 곡 입니다.
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1. 시메 코스타/네버엔딩 스토리
2. 김범수/네버엔딩 스토리
3. 이승기/네버엔딩 스토리
4. 부활/네버엔딩 스토리

부활/앨범자켓

1. 시메 코스타/네버엔딩 스토리

시메 코스타/네버엔딩 스토리

2. 김범수/네버엔딩 스토리

김범수/네버엔딩 스토리

3. 이승기/네버엔딩 스토리

이승기/네버엔딩 스토리

4. 부활/네버엔딩 스토리

부활/네버엔딩 스토리

□ 가사

#김태원 작사ㆍ작곡

손 닿을 수 없는 저기 어딘가 오늘도 난 숨쉬고 있지만
너와 머물던 작은 의자 위에 같은 모습의 바람이 지나네
너는 떠나며 마치 날 떠나가듯이
멀리 손을 흔들며 언젠가 추억에 남겨져 갈 꺼라고
그리워하면 언젠가 만나게 되는
어느 영화와 같은 일들이 이뤄져 가기를
힘겨워 한 날의 너를 지킬 수 없었던
아름다운 시절속에 머문 그대 이기에
너는 떠나며 마치 날 떠나가듯이
멀리 손을 흔들며
언젠가 추억에 남겨져 갈 꺼라고
그리워하면 언젠가 만나게 되는
어느 영화와 같은 일들이 이뤄져 가기를
힘겨워 한 날의 너를 지킬 수 없었던
아름다운 시절속에 머문 그대여
그리워하면 언젠가 만나게 되는
어느 영화와 같은 일들이 이뤄져 가기를
힘겨워 한 날의 너를 지킬수 없었던
아름다운 시절속에 머문 그대여
그리워하면 언젠가 만나게 되는
어느 영화와 같은 일들이 이뤄져 가기를
힘겨워 한 날의 너를 지킬 수 없었던
아름다운 시절속에 머문 그대이기에

□ About Never Ending Story

The title song of the 8th revival album "Dawn, Dawn" released in 2002. It was written and composed by Kim Tae-won.

The resurrection, which had been in a slump since the more you love it, literally became the second chance to "revive" thanks to this song, and it is considered one of the best revival songs along with Heeya, Rain and your story, and the more you love it.

Kim Tae-won has revealed several times why the song was born, and when he reunited with Lee Seung-chul, the song was not released enough to have to pay a penalty in the situation of breaking the contract at first. In addition, the relationship with the family was not good, so the difficult situation was repeated that my wife left for Canada without saying anything. Kim Tae-won, who suffered every day, suddenly remembered a beautiful sentence [7] like a poem in his dream one day, which became the chorus of "Never Ending Story."

At the beginning of the song, there is a piano accompaniment, which borrowed the melody of "Someday my prince will come," a song from Disney's Snow White and the Seven Dwarfs, which Kim Tae-won's daughter liked.

It was a tremendous success in the public. The sales of the 8th album "Bird, Wall" with Never Ending Story are about 250,000 copies, which is a great figure considering that MP3s at the time overlapped with the World Cup during the slump in the music market. It topped SBS's "Inkigayo" for the first time in nine years on the terrestrial network, and was the number one favorite karaoke song in 2002. Among the resurrection songs, it is very well known among young people at the time (from the 80s to the mid 90s). When I asked young people if they knew any of the revival songs on TV, they all said this song.

It is not only a representative song of Resurrection and Lee Seung-cheol, but also one of the best songs in the history of ballads in Korea. It was selected as the "Resurrection of Seo Jung-rok" in the Legend 100 songs selected by Mnet based on various awards ceremonies, music chart data, music books, and music experts' opinions, and was ranked 18th in the Ballad Best 100 of Music Taste Y.

Kim Tae-won once cited an introduction from a university that said it was a song with a very high level of difficulty in composition in his first appearance on the field talk show TAXI. In fact, it is complicated for rock music, which has a simple code work compared to other genres, but it is rock ballad music that flows smoothly and is not so difficult in terms of practical music as a whole. However, there is a very difficult part of the performance part of this song, which is the vocal part. See the song analysis section below for details.

Except for the fifth album of the songs of revival, it is one of the most vocal difficult songs. It's the highest level of difficulty in terms of emotions. Low and high notes appear evenly, middle and high notes in the late 2 octaves continue to appear at the climax, and 2 octaves (B4) appear once at the end.

In other words, there is no ultra-high pitch in the 3-octave range, but on the contrary, almost the entire chorus spans the middle and high notes in the second half of the 2-octave section, which many vocals find the most difficult. In addition, as mentioned earlier, the tempo is slow, and there are quite a lot of lyrics in a line, and it is difficult to pronounce. One of the sections that measure the difficulty of this song is the section "Someday we meet" which is the most difficult to sing in the Korean language, "Eun" appears in the highest section after the melody is almost continuously rising. In addition, difficult "neu" and "il" pronunciations and high notes appear in the next part of "Something Like a Movie." This is repeated three times in the second verse, and no matter how you pass the first two times, it is difficult to sing the last third chorus's "On a Hard Day" as it is a two-octave poem.

If you can sing this song stably from beginning to end without key control, that alone will already be enough to catch up in the karaoke room. In fact, not only Lee Seung-chul but also other singers sing this song live, most of them lower the key by more than one key to reduce the second verse section, which repeats the third chorus, to two. For your information, there are definitely singers who sing this song in one key. Apart from the complete singing, the problem is that the original song's unique feeling cannot be revived.

When playing, the ♯ is attached to the green onion, do, sol, le, la, and mi, so all the black keys have to be played, so they are often played in F Major by lowering the half note.